Technology and Film Scholarship : Experience, Study, Theory /

This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography an...

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Bibliographic Details
Other Authors: Gaudreault, Andre (writer of foreword.), Hidalgo, Santiago (Editor)
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, [2018]
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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245 0 0 |a Technology and Film Scholarship :   |b Experience, Study, Theory /   |c edited by Santiago Hidalgo ; foreword by Andre Gaudreault. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2018] 
300 |a 1 online resource (408 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Film theory in media history 
505 0 0 |g Foreword /  |r Andre Gaudreault --  |g Introduction:  |t The discursive spaces between a history of film technology and technological experience /  |r Santiago Hidalgo --  |g Section I  |t Experience --  |g 1.  |t When Did Cinema Become Cinema? Technology, History, and the Moving Pictures /  |r Charles Musser --  |g 2.  |t Exhibition Practices in Transition: Spectators, Audiences, and Projectors /  |r Jan Olsson --  |g 3.  |t Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /  |r Andre Habib --  |g 4.  |t Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /  |r Dana Cooley --  |g Section II  |t Study --  |g 5.  |t Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /  |r David Colangelo --  |g 6.  |t Film Analysis and Statistics: A Field Report /  |r Charles O'Brien --  |g 7.  |t A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /  |r Paul Moore --  |g Section III  |t Theory --  |g 8.  |t Cine-Graphism: A New Approach to the Evolution of Film Language through Technology /  |r Tom Gunning --  |g 9.  |t Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /  |r Vinzenz Hediger --  |g 10.  |t On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /  |r Benoit Turquety. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 8 |a This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger. 
588 |a Description based on print version record. 
650 7 |a Performing Arts.  |2 ukslc 
650 7 |a Filmtheorie  |2 gnd 
650 7 |a Technology in motion pictures.  |2 fast  |0 (OCoLC)fst01145293 
650 7 |a Performing Arts.  |2 eflch 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Technologie au cinema  |x Histoire. 
650 0 |a Technology in motion pictures  |x History. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
700 1 |a Gaudreault, Andre,  |e writer of foreword. 
700 1 |a Hidalgo, Santiago,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/66334/ 
999 |c 232533  |d 232532