Promissory Notes : On the Literary Conditions of Debt /

"There is no doubt that the beginning of the twenty-first century was marked by crises of debt. Less well known is that literature played a historical role in defining and teaching debt to the public. Promissory Notes: On the Literary Conditions of Debt addresses how neoliberal finance has depe...

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Bibliographic Details
Main Author: Goodman, Robin Truth, 1966- (Author)
Format: Electronic eBook
Language:English
Published: [Amherst, Massachusetts] : Lever Press, [2018].
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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100 1 |a Goodman, Robin Truth,  |d 1966-  |e author. 
245 1 0 |a Promissory Notes :   |b On the Literary Conditions of Debt /   |c by Robin Truth Goodman. 
264 1 |a [Amherst, Massachusetts] :  |b Lever Press,  |c [2018]. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2018]. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a 1. Futures and fictions : the right to make promises and the object that never was -- 2. Debt's geographies : inequality, or development's dance with dead capital. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "There is no doubt that the beginning of the twenty-first century was marked by crises of debt. Less well known is that literature played a historical role in defining and teaching debt to the public. Promissory Notes: On the Literary Conditions of Debt addresses how neoliberal finance has depended upon a historical linking of geopolitical inequality and financial representation that positions the so-called 'Third World' as negative value, or debt. Starting with an analysis of Anthony Trollope's novel, The Eustace Diamonds, Goodman shows how colonized spaces came to inhabit this negative value. Promissory Notes argues that the twentieth-century continues to apply literary innovations in character, subjectivity, temporal and spatial representation to construct debt as the negative creation of value not only in reference to objects, but also houses, credit cards, students, and, in particular,'Third World' geographies, often leading to crisis. Yet, late twentieth century and early twenty-first literary texts, such as Soyinka's The Road and Ngugi's Wizard of the Crow, address the negative space of the indebted world also as a critique of the financial take-over of the postcolonial developmental state. Looking to situations like the Puerto Rican debt crisis, Goodman demonstrates how financial discourse is articulated through social inequalities and how literature can both expose and contest the imposition of a morality of debt as a mode of anti-democratic control." -- Title screen. 
588 |a Description based on print version record. 
650 7 |a Neoliberalism.  |2 fast  |0 (OCoLC)fst01737382 
650 7 |a Literature and society.  |2 fast  |0 (OCoLC)fst01000096 
650 7 |a Equality.  |2 fast  |0 (OCoLC)fst00914456 
650 7 |a Democracy.  |2 fast  |0 (OCoLC)fst00890077 
650 7 |a Debt  |x Social aspects.  |2 fast  |0 (OCoLC)fst00888780 
650 7 |a Debt in literature.  |2 fast  |0 (OCoLC)fst00888792 
650 7 |a LITERARY CRITICISM / General  |2 bisacsh 
650 6 |a Neo-liberalisme. 
650 6 |a Dettes  |x Aspect social. 
650 6 |a Litterature et societe. 
650 6 |a Dettes dans la litterature. 
650 0 |a Democracy. 
650 0 |a Equality. 
650 0 |a Neoliberalism. 
650 0 |a Debt  |x Social aspects. 
650 0 |a Literature and society. 
650 0 |a Debt in literature. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/65129/ 
999 |c 232355  |d 232354