The Challenge of Bewilderment : Understanding and Representation in James, Conrad, and Ford /

The Challenge of Bewilderment treats the epistemology of representation in major works by Henry James, Joseph Conrad, and Ford Madox Ford, attempting to explain how the novel turned away from its traditional concern with realistic representation and toward self-consciousness about the relation betwe...

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Bibliographic Details
Main Author: Armstrong, Paul B., 1949-
Format: Electronic eBook
Language:English
Published: Ithaca : Cornell University Press, 1987.
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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100 1 |a Armstrong, Paul B.,  |d 1949- 
245 1 4 |a The Challenge of Bewilderment :   |b Understanding and Representation in James, Conrad, and Ford /   |c Paul B. Armstrong. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 1987. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©1987. 
300 |a 1 online resource (294 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Preface / Paul B. Armstrong -- Introduction : bewilderment, understanding, and representation -- Part I. Jamesian bewilderment : the composing powers of consciousness -- Interpretation and ambiguity in The sacred fount -- Reality and/or interpretation in The ambassadors -- Part II. Conradian bewilderment : the metaphysics of belief -- Contingency, interpretation, and belief in Lord Jim -- The ontology of society in Nostromo -- Part III. Fordian bewilderment : the primacy of unreflective experience -- Obscurity and reflection in The good soldier -- Reification and resentment in Parade's End -- Epilogue : bewilderment and modern fiction. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a The Challenge of Bewilderment treats the epistemology of representation in major works by Henry James, Joseph Conrad, and Ford Madox Ford, attempting to explain how the novel turned away from its traditional concern with realistic representation and toward self-consciousness about the relation between knowing and narration. Paul B. Armstrong here addresses the pivotal thematic experience of "bewilderment," an experience that challenges the reader's very sense of reality and that shows it to have no more certainty or stability than an interpretative construct. Through readings of The Sacred Fount and The Ambassadors by James, Lord Jim and Nostromo by Conrad, and The Good Soldier and Parade's End by Ford, Armstrong examines how each writer dramatizes his understanding of the act of knowing. Armstrong demonstrates how the novelists' attitudes toward the process of knowing inform experiments with representation, through which they thematize the relation between the understanding of a fictional world and everyday habits of perception. Finally, he considers how these experiments with the strategies of narration produce a heightened awareness of the process of interpretation. 
588 |a Description based on print version record. 
600 1 7 |a James, Henry,  |d 1843-1916.  |2 fast  |0 (OCoLC)fst00028686 
600 1 7 |a Ford, Ford Madox,  |d 1873-1939.  |2 fast  |0 (OCoLC)fst00289558 
600 1 7 |a Conrad, Joseph,  |d 1857-1924.  |2 fast  |0 (OCoLC)fst00035252 
600 1 1 |a Conrad, Joseph,  |d 1857-1924  |x Criticism and interpretation. 
600 1 1 |a Ford, Ford Madox,  |d 1873-1939  |x Criticism and interpretation. 
600 1 1 |a James, Henry,  |d 1843-1916  |x Criticism and interpretation. 
600 1 0 |a James, Henry,  |d 1843-1916  |x Criticism and interpretation. 
600 1 0 |a Ford, Ford Madox,  |d 1873-1939  |x Criticism and interpretation. 
600 1 0 |a Conrad, Joseph,  |d 1857-1924  |x Criticism and interpretation. 
650 7 |a Mimesis in literature.  |2 fast  |0 (OCoLC)fst01896075 
650 7 |a Knowledge, Theory of, in literature.  |2 fast  |0 (OCoLC)fst00988217 
650 7 |a English fiction.  |2 fast  |0 (OCoLC)fst00910817 
650 6 |a Theorie de la connaissance dans la litterature. 
650 6 |a Mimêsis dans la litterature. 
650 6 |a Roman anglais  |y 20e siecle  |x Histoire et critique. 
650 0 |a Knowledge, Theory of, in literature. 
650 0 |a Mimesis in literature. 
650 0 |a English fiction  |y 20th century  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/58015/ 
999 |c 232213  |d 232212