The Unfinished Art of Theater : Avant-Garde Intellectuals in Mexico and Brazil /

The avant-garde posits the possibility of total rupture with the past. This book pulls back on this futuristic impulse by showing how theater became a key site for artists on the edge of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this "unfini...

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Bibliographic Details
Main Author: Townsend, Sarah J. (Author)
Format: Electronic eBook
Language:English
Published: Evanston, Illinois : Northwestern University Press, 2018.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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100 1 |a Townsend, Sarah J.,  |e author. 
245 1 4 |a The Unfinished Art of Theater :   |b Avant-Garde Intellectuals in Mexico and Brazil /   |c Sarah J. Townsend. 
264 1 |a Evanston, Illinois :  |b Northwestern University Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018. 
300 |a 1 online resource (312 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Performance works 
500 |a "The Unfinished Art of Theater began as a dissertation written at New York University." 
505 0 |a Introduction: The uneven stage of the avant-gardes -- Mexico -- Rehearsals of the tragi-co(s)mic race -- Primitivist accumulation and Teatro sintetico -- Radio/puppets, or the institutionalization of a (media) revolution -- Brazil -- Parsifal on the periphery of capitalism -- Phonography, operatic ethnography, and other bad arts -- Total theater and missing pieces -- Postscript: Loose ends. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a The avant-garde posits the possibility of total rupture with the past. This book pulls back on this futuristic impulse by showing how theater became a key site for artists on the edge of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this "unfinished art"-because of its weakness as a representative institution in Mexico and Brazil, where the bourgeois stage had not yet coalesced-was at the forefront of struggles to redefine the relationship between art and social change. Drawing on archival research, Townsend reveals the importance of avant-garde projects that belie the rhetoric of rupture and immediacy: ethnographic operas, populist puppet plays, children's radio programs, a philosophical drama about the birth of a new race, and an antifascist spectacle written for a theater shut down by the police. The book argues that avant-garde art is tied to the experience of dependency, delay, and the uneven development of capitalism. 
588 |a Description based on print version record. 
650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Experimental theater.  |2 fast  |0 (OCoLC)fst00918508 
650 7 |a Avant-garde (Aesthetics)  |2 fast  |0 (OCoLC)fst00824280 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 6 |a Theâtre et societe  |z Mexique. 
650 6 |a Theâtre et societe  |z Bresil. 
650 0 |a Experimental theater  |z Mexico. 
650 0 |a Experimental theater  |z Brazil. 
650 0 |a Theater and society  |z Mexico. 
650 0 |a Theater and society  |z Brazil. 
650 0 |a Avant-garde (Aesthetics) 
651 7 |a Mexico.  |2 fast  |0 (OCoLC)fst01211700 
651 7 |a Brazil.  |2 fast  |0 (OCoLC)fst01206830 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/59164/ 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Film, Theater and Performing Arts 
945 |a Project MUSE - 2018 Latin American and Caribbean Studies 
999 |c 232022  |d 232021