The Insistence of Art : Aesthetic Philosophy after Early Modernity /

"Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addre...

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Bibliographic Details
Other Authors: Kottman, Paul A., 1970- (Editor)
Format: Electronic eBook
Language:English
Published: New York, NY : Fordham University Press, 2017.
Edition:First edition.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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245 0 4 |a The Insistence of Art :   |b Aesthetic Philosophy after Early Modernity /   |c edited by Paul. A. Kottman. 
250 |a First edition. 
264 1 |a New York, NY :  |b Fordham University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017. 
300 |a 1 online resource (304 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- 3. How Do We Recognize Metaphysical Poetry? -- 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder's Shakespeare Studies -- 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- 6. "All Art Constantly Aspires to the Condition of Music" -- Except the Art of Music: Reviewing the Contest of the Sister Arts -- 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- 9. Goya: Secularization and the Aesthetics of Belief. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another"--  |c fordhampress WWW site. 
546 |a In English. 
588 |a Description based on print version record. 
650 7 |a Art  |x Philosophy.  |2 fast  |0 (OCoLC)fst00815307 
650 7 |a Aesthetics, Modern.  |2 fast  |0 (OCoLC)fst00798800 
650 7 |a PHILOSOPHY  |x Aesthetics.  |2 bisacsh 
650 7 |a PHILOSOPHY  |x Metaphysics.  |2 bisacsh 
650 7 |a PHILOSOPHY  |x Metaphysics.  |2 bisach 
650 6 |a Art  |x Philosophie. 
650 0 |a Art  |x Philosophy. 
650 0 |a Aesthetics, Modern  |x Philosophy. 
655 7 |a Essays.  |2 fast  |0 (OCoLC)fst01919922 
655 7 |a Electronic books.   |2 local 
700 1 |a Kottman, Paul A.,  |d 1970-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/51041/ 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Philosophy and Religion 
999 |c 231898  |d 231897