Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music /
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from tradition...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Ann Arbor :
University of Michigan Press,
[2016]
|
| Series: | Book collections on Project MUSE.
|
| Subjects: | |
| Online Access: | Full text available: |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_45553 | ||
| 003 | MdBmJHUP | ||
| 005 | 20240815120742.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 151125s2016 miu o 00 0 eng d | ||
| 010 | |z 2020707416 | ||
| 020 | |a 9780472121649 | ||
| 020 | |z 0472121642 | ||
| 020 | |z 9780472902378 | ||
| 020 | |z 0472119753 | ||
| 020 | |z 9780472119752 | ||
| 035 | |a (OCoLC)948511711 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Graham, Stephen |c (Musicologist), |e author. | |
| 245 | 1 | 0 | |a Sounds of the Underground : |b A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music / |c Stephen Graham. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2016] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[2016] | |
| 300 | |a 1 online resource (328 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Tracking pop | |
| 505 | 0 | |a Preface; Part I-What Is the Underground?; 1. Introduction to the Underground and Its Fringes; 2. The Music and Musicians; 3. Global and Local Underground/Fringe Scenes; Part II-The Political and Cultural Underground; 4. Politics and Underground/Fringe Music; 5. Cultural Policy and Underground/Fringe Music; 6. Artists and Music, Improv and Noise; 7. The Digital Economy and Labels; 8. Festivals and Venues; Part III-Listening to the Underground; 9. Noise as Concept, History, and Scene; 10. The Politics of Underground Music and Noise; 11. The Sounds of Noise; 12. Extreme Metal | |
| 505 | 0 | |a ConclusionList of Interviewees; Notes; Bibliography; Index | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | 8 | |a In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Underground music. |2 fast |0 (OCoLC)fst01938521 | |
| 650 | 7 | |a Subculture. |2 fast |0 (OCoLC)fst01136426 | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 6 | |a Subculture. | |
| 650 | 6 | |a Musique underground |x Histoire et critique. | |
| 650 | 6 | |a Musique underground |x Aspect politique. | |
| 650 | 6 | |a Musique underground |x Aspect social. | |
| 650 | 0 | |a Subculture. | |
| 650 | 0 | |a Underground music |x History and criticism. | |
| 650 | 0 | |a Underground music |x Political aspects. | |
| 650 | 0 | |a Underground music |x Social aspects. | |
| 655 | 7 | |a Theses et ecrits academiques. |2 rvmgf | |
| 655 | 7 | |a Academic theses. |2 lcgft | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Academic theses. |2 fast |0 (OCoLC)fst01726453 | |
| 655 | 2 | |a Academic Dissertation | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/45553/ |
| 945 | |a Project MUSE - 2016 Complete | ||
| 945 | |a Project MUSE - 2016 Film, Theater and Performing Arts | ||
| 999 | |c 231756 |d 231755 | ||