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Changing the Subject : Writing Women across the African Diaspora /

Whakaatu ērā atu putanga (1)
I tiakina i:
Kaituhi matua: Simmons, Merinda, 1981-
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: Columbus : The Ohio State University Press, 2014.
Rangatū:Book collections on Project MUSE.
Ngā marau:
American Literature.
Languages & Literatures.
English.
West Indian literature (English) > Women authors.
Slave trade in literature.
Culture in literature.
Collective memory in literature.
American literature > African American authors.
African Americans in literature.
African American women in literature.
Noirs americains dans la litterature.
Esclaves > Commerce, dans la litterature.
Memoire collective dans la litterature.
Culture dans la litterature.
American literature > African American authors > History and criticism.
American literature > African American women > History and criticism.
West Indian literature (English) > Women authors > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Urunga tuihono:Full text available:
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • Introduction: when literature and identity "get real"
  • Sites of authentication: migration and subjectivity in The history of Mary Prince
  • "Different with every shore": women, workers, and the transatlantic South in Their eyes were watching God
  • Familiar ground: the rhetoric of "realness" in Mama Day
  • "Recuperating" the subject in I, Tituba, black witch of Salem
  • Conclusion.

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