I Know That You Know That I Know : Narrating Subjects from Moll Flanders to Marnie /

"In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on We...

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Bibliographic Details
Main Author: Butte, George, 1947-
Format: Electronic eBook
Language:English
Published: Columbus : Ohio State University Press, 2004.
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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100 1 |a Butte, George,  |d 1947- 
245 1 0 |a I Know That You Know That I Know :   |b Narrating Subjects from Moll Flanders to Marnie /   |c George Butte. 
264 1 |a Columbus :  |b Ohio State University Press,  |c 2004. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2004. 
300 |a 1 online resource (270 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a The theory and interpretation of narrative series 
505 0 |a Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 1 |a "In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket. 
588 |a Description based on print version record. 
650 7 |a LITERARY CRITICISM / General  |2 bisacsh 
650 0 7 |a Film.  |2 swd 
650 7 |a Erzähltechnik  |2 gnd 
650 7 |a Bewusstsein  |g Motiv  |2 gnd 
650 7 |a Literatur  |2 gnd 
650 6 |a Intersubjectivite. 
650 6 |a Narration. 
650 6 |a Cinema  |x Histoire. 
650 6 |a Conscience dans la litterature. 
650 6 |a Intersubjectivite dans la litterature. 
650 6 |a Roman psychologique americain  |x Histoire et critique. 
650 6 |a Roman psychologique anglais  |x Histoire et critique. 
650 7 |a Psychological fiction, English.  |2 fast  |0 (OCoLC)fst01081356 
650 7 |a Psychological fiction, American.  |2 fast  |0 (OCoLC)fst01081348 
650 7 |a Narration (Rhetoric)  |2 fast  |0 (OCoLC)fst01032927 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Intersubjectivity in literature.  |2 fast  |0 (OCoLC)fst00977561 
650 7 |a Intersubjectivity.  |2 fast  |0 (OCoLC)fst00977556 
650 7 |a Consciousness in literature.  |2 fast  |0 (OCoLC)fst00875457 
650 0 |a Psychological fiction, English  |x History and criticism. 
650 0 |a Psychological fiction, American  |x History and criticism. 
650 0 |a Intersubjectivity in literature. 
650 0 |a Consciousness in literature. 
650 0 |a Motion pictures  |x History. 
650 0 |a Narration (Rhetoric) 
650 0 |a Intersubjectivity. 
651 7 |a USA.  |2 swd 
651 7 |a Englisch.  |2 swd 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/28369/ 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Literature Supplement III 
999 |c 231550  |d 231549