Deciphering Race : White Anxiety, Racial Conflict, and the Turn to Fiction in Mid-Victorian English Prose /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Columbus :
Ohio State University Press,
2006.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Aestheticizing Mid-Victorian Racial Tropism
- Toussaint and the Staging of Political Aesthetics in Normal: Harriet Martineaus The Hour and the Man (1841)
- Life Clothed in Forms: Radical Racism as Formalist Aesthetic in Robert Knoxs The Races of Men (1850)
- The Dialectic of Scapegoat and Fetish: Failed Catharsis in Charles Dickens and Wilkie Collinss The Perils of Certain English Prisoners (1857)
- So Help Me God, the Truth and Not the Truth: Hyper-Realism and the Taxonomy of Truth Seeking in the Royal Commissions Inquiry into the 1865 Jamaica Rebellion
- Race, Ruins, and Rebellion: Spatializing Racial @Normal: Otherness in James Grants First Love and Last Love (1868)
- De-Aestheticizing Sara(h) Ba(a)rtman(n).