Financial Speculation in Victorian Fiction : Plotting Money and the Novel Genre, 1815-1901 /

This book explores the ways in which financial speculation was imagined and turned into narratives in Victorian Britain. Since there clearly was more to literature's use of the stock market than a mere reflection of contemporary economic crises alone, a reappraisal of the Victorians' fasci...

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Bibliographic Details
Main Author: Wagner, Tamara S., 1976-
Format: Electronic eBook
Language:English
Published: Columbus : Ohio State University Press, 2010.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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245 1 0 |a Financial Speculation in Victorian Fiction :   |b Plotting Money and the Novel Genre, 1815-1901 /   |c Tamara S. Wagner. 
264 1 |a Columbus :  |b Ohio State University Press,  |c 2010. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2010. 
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505 0 |a Plotting financial speculation : the making of stock-market villains -- Silver-fork speculation and the making of financial fiction -- The sensational stock-market novel -- Speculators abroad -- Speculators at home. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a This book explores the ways in which financial speculation was imagined and turned into narratives in Victorian Britain. Since there clearly was more to literature's use of the stock market than a mere reflection of contemporary economic crises alone, a reappraisal of the Victorians' fascination with extended fiscal plots and metaphors also asks for a close reading of the ways in which this fascination remodeled the novel genre. It was not merely that interchanges between literary productions and the credit economy's new instruments became self-consciously worked into fiction. Financial uncertainties functioned as an expression of indeterminacy and inscrutability, of an encompassing sense of instability. This study analyzes the making and adaptation of specific motifs, of variously adapted tropes, extended metaphors, and recurring figures, including their transformation of a series of crises into narratives. Since these crises were often personal and emotional as well as financial, the new plots of speculation described maps of some of the major themes of nineteenth-century literature. These maps led across overlapping categories of literary culture, generating zones of intersection between otherwise markedly different subgenres that ranged from silver-fork fiction to the surprisingly protean versions of the sensation novel's domestic Gothic. Financial plots operated as the intersecting points in these overlapping developments, compelling a reconsideration of literary form. 
588 |a Description based on print version record. 
650 1 7 |a Victoriaanse tijd.  |2 gtt 
650 1 7 |a Romans.  |2 gtt 
650 1 7 |a Geld.  |2 gtt 
650 1 7 |a Speculatie.  |2 gtt 
650 7 |a Money in literature.  |2 fast  |0 (OCoLC)fst01025320 
650 7 |a Finance in literature.  |2 fast  |0 (OCoLC)fst00924444 
650 7 |a English fiction.  |2 fast  |0 (OCoLC)fst00910817 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 6 |a Roman anglais  |y 19e siecle  |x Histoire et critique. 
650 0 |a Money in literature. 
650 0 |a Finance in literature. 
650 0 |a English fiction  |y 19th century  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/27716/ 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Literature Supplement III 
999 |c 231373  |d 231372