The Black Arts Enterprise and the Production of African American Poetry /
The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artis...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ann Arbor :
University of Michigan Press,
[2011]
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : "a group of groovy Black people"
- Getting poets on the same page : the roles of periodicals
- Platforms for Black verse : the roles of anthologies
- Understanding the production of Black arts texts
- All aboard the Malcolm-Coltrane express
- The poets, critics, and theorists are one
- The revolution will not be anthologized
- List of anthologies containing African American poetry, 1967-75.