Postwall German cinema history, film history, and cinephilia /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Berghahn Books,
2013.
|
| Putanga: | 1st ed. |
| Rangatū: | Film Europa ;
v. 14. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Rebirth of a nation: Das Wunder von Bern, the 1950s, and the reactions to the new German cinema
- Pop retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF film
- The ambivalent view: 23, historical paranoia, and the 1980s
- "Ostalgie," historical ownership, and material authenticity: Good bye, Lenin! and Das Leben der Anderen
- Unification, spatial anxiety, and the recuperation of material culture: Die unberhrbare
- The future of the German past.