The African American theatrical body reception, performance, and the stage /
"Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create...
Gardado en:
| Autor Principal: | |
|---|---|
| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2011.
|
| Subjects: | |
| Acceso en liña: | An electronic book accessible through the World Wide Web; click to view |
| Tags: |
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
|
Table of Contents:
- Machine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography.