Opera in the novel from Balzac to Proust

"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark...

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Détails bibliographiques
Auteur principal: Newark, Cormac, 1972-
Collectivité auteur: ebrary, Inc
Format: Électronique eBook
Langue:anglais
Publié: Cambridge [England] ; New York : Cambridge University Press, 2011.
Collection:Cambridge studies in opera.
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Accès en ligne:An electronic book accessible through the World Wide Web; click to view
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Résumé:"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's �A la recherche du temps perdu, by way of (among others) Dumas p�ere's Le Comte de Monte-Cristo and Leroux's Le Fant�ome de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"--
Description matérielle:ix, 287 p.
Bibliographie:Includes bibliograpical references and index.