Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maiwenn /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Lanham, Maryland ; Plymouth, England :
Fairleigh Dickinson University Press,
2014.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Ngā tūemi rite: Gendered frames, embodied cameras :
- Agnès Varda /
- On the translation of swearing into Spanish : Quentin Tarantino from Reservoir Dogs to Inglourious Basterds /
- Theorizing ambivalence in Ang Lee's transnational cinema
- Levinas and the cinema of redemption time, ethics, and the feminine /
- The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson
- The films of Federico Fellini