Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maiwenn /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Lanham, Maryland ; Plymouth, England :
Fairleigh Dickinson University Press,
2014.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Geahča maid: Gendered frames, embodied cameras :
- Agnès Varda /
- On the translation of swearing into Spanish : Quentin Tarantino from Reservoir Dogs to Inglourious Basterds /
- Theorizing ambivalence in Ang Lee's transnational cinema
- Levinas and the cinema of redemption time, ethics, and the feminine /
- The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson
- The films of Federico Fellini