Women in Chinese martial arts films of the new millennium narrative analyses and gender politics /

I tiakina i:
Ngā taipitopito rārangi puna kōrero
Kaituhi matua: Chen, Ya-chen
Kaituhi rangatōpū: ebrary, Inc
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: Lanham : Lexington Books, 2012.
Ngā marau:
Urunga tuihono:An electronic book accessible through the World Wide Web; click to view
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • Introduction
  • Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films
  • Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon
  • To (en)gender the gendered history in hero
  • There is a beauty in the door(way) of flying daggers
  • Women who do not practice martial arts in Seven swords
  • Cinderella, Snow White, and Sleeping beauty in The promise
  • The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing N�u and Waner in The banque
  • Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower
  • Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise
  • Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords
  • A Chinese cinematic martial arts room of Pygmalion's own
  • Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter
  • Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian
  • Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon
  • Interview with Wang Wei, a judge in the Golden Horse Film Festival.