The past is always present the revival of the Byzantine musical tradition at Mount Athos /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Lanham, Md. :
Scarecrow Press,
2012.
|
| Ráidu: | Europea ;
no. 13. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction : toward an ethnomusicological study of Byzantine chant 1
- Musical blossom
- Sacred musical transorthography
- Producing Mount Athos : Byzantine chant, pilgrimage and tourism
- "The monks have prayer" : on the Athonite style of chanting
- Spiritual silence, sacred sound
- Conclusion
- Greek glossary
- Appendix A: Chain of ps�altes : musical genealogy at Vatopaidi.