John Woo's The killer
Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which to...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Hong Kong : London :
Hong Kong University Press ; Eurospan [distributor],
2009.
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| Rangatū: | New Hong Kong cinema.
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| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
| Whakarāpopototanga: | Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which together make the New Hong Kong cinema. |
|---|---|
| Whakaahutanga tūemi: | The film's original Chinese title: Diexue shuang xiong. |
| Whakaahuatanga ōkiko: | xiv, 125 p. : ill. |
| Rārangi puna kōrero: | Includes bibliographical references (p [119]-125). Includes filmography (p. [111]-117). |