Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court /
"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Berlin :
Akademie Verlag,
[2012]
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| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | "As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4). |
|---|---|
| Whakaahutanga tūemi: | "This book was submitted as a PhD thesis to Humboldt-Universität Berlin in 2008." (page IX). |
| Whakaahuatanga ōkiko: | 1 online resource (312 pages) : illustrations (some color) |
| Rārangi puna kōrero: | Includes bibliographical references. |
| ISBN: | 9783050062556 (e-book) |