Queer enchantments : gender, sexuality, and class in the fairy-tale cinema of Jacques Demy /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Detroit :
Wayne State University Press,
[2013]
|
| Rangatū: | Series in fairy-tale studies
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: queer enchantments
- Fairy tale and melodrama: Lola and The umbrellas of Cherbourg
- The camping of "donkey skin": Jacques Demy's cinematic re-vision of a classic tale
- Artistic freedom and grotesque satire: bohemians and bourgeois in The pied piper
- The queering of the French revolution: Lady Oscar and the tradition of the maiden warrior
- Epilogue: Demy's postmodern tales
- Filmography of Jacques Demy.