Richard E. Norman and race filmmaking /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Eará dahkkit: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Bloomington :
Indiana University Press,
[2014]
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Foreword by Michael T. Martin
- Introduction: new visions of opportunity
- Race matters: the evolution of race filmmaking
- "Have you talent?": Norman's early career
- "Not a white man in the cast": Norman's early race films
- "Taking two hides from the ox": The bull-dogger and The crimson skull
- "A risky experiment": Zircon and regeneration
- "You know we have the goods": The flying ace and Black gold
- "It takes a darn good one to stick": Norman's later career
- Afterword
- Appendix 1: shooting script: The green eyed monster
- Appendix 2: shooting script (fragment) and scenario: The bull-dogger
- Appendix 3: shooting script: The crimson skull.