Modernist form and the myth of Jewification

"Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner,...

Full description

Saved in:
Bibliographic Details
Main Author: Levi, Neil Jonathan, 1967-
Corporate Author: ebrary, Inc
Format: Electronic eBook
Language:English
Published: New York : Fordham University Press, 2014.
Edition:1st ed.
Subjects:
Online Access:An electronic book accessible through the World Wide Web; click to view
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000nam a2200000 a 4500
001 0000173020
005 20171002063745.0
006 m o u
007 cr cn|||||||||
008 130516s2014 nyua sb 001 0 eng d
010 |z  2013016311 
020 |z 9780823255061 (hardback) 
035 |a (CaPaEBR)ebr10747391 
035 |a (OCoLC)859159649 
040 |a CaPaEBR  |c CaPaEBR 
050 1 4 |a NX456.5.M64  |b L48 2014eb 
082 0 4 |a 700/.4112  |2 23 
100 1 |a Levi, Neil Jonathan,  |d 1967- 
245 1 0 |a Modernist form and the myth of Jewification  |h [electronic resource] /  |c Neil Levi. 
250 |a 1st ed. 
260 |a New York :  |b Fordham University Press,  |c 2014. 
300 |a x, 261 p. :  |b ill. 
504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: -- Acknowledgments -- Introduction: Phobic Reading, Modernist Form, and the Figure of the Antisemite -- Part I: Modernist Form as Judaization -- 1. Genealogies: Judaization, Wagner, Nordau -- 2. Jews, Art, and History: The Nazi Exhibition of "Degenerate Art" as Historicopolitical Spectacle -- 3. Fanatical Abstraction: Wyndham Lewis's Critique of Modernist Form as Judaization in Time and Western Man -- Part II: Modernist Form and the Antisemitic Imagination -- 4. Straw Men: Projection, Personification, and Narrative Form in Ulysses -- 5. Images of the Bilderverbot: Adorno, Antisemitism, and the Enemies of Modernism -- 6. The Labor of Late Modernist Poetics: Beckett after Céline -- Notes -- Bibliography -- Index. 
520 |a "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"--  |c Provided by publisher. 
533 |a Electronic reproduction.  |b Palo Alto, Calif. :  |c ebrary,  |d 2013.  |n Available via World Wide Web.  |n Access may be limited to ebrary affiliated libraries. 
650 0 |a Modernism (Art) 
650 0 |a Art criticism. 
650 0 |a Antisemitism. 
655 7 |a Electronic books.  |2 local 
710 2 |a ebrary, Inc. 
856 4 0 |u http://site.ebrary.com/lib/daystar/Doc?id=10747391  |z An electronic book accessible through the World Wide Web; click to view 
908 |a 170314 
942 0 0 |c EB 
999 |c 162162  |d 162162