A passage to globalism globalization, identities and South Asian diasporic fiction in Britain /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
Peter Lang,
c2013.
|
| Sraith: | South Asian literature, arts, and culture studies,
v. 4 |
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Remapping the borders of identity: Globalization and the negotiation of national identities in Hanif Kureishi's My beautiful laundrette, Salman Rushdie's The ground beneath her feet and Ravinder Randhawa's The coral strand
- Imagining a world of inequality: class identities in V.S. Naipaul's Magic seeds, Manzu Islam's Burrow and Hari Kunzru's Transmission
- The new ummah: negotiating Muslim identities in Salman Rushdie's The satanic verses, Hanif Kureishi's The black album, and Monica Ali's Brick lane
- Gendering the world: globalization and gender identities in Farhana Sheikh's The red box, Meera Syal's Life isn't all ha ha hee and Nadeem Aslam's Maps for lost lovers
- Conclusion: Conflicted identities and new directions.