Experimental Latin American cinema history and aesthetics /
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| Main Author: | |
|---|---|
| Corporate Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin :
University of Texas Press,
2013.
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| Edition: | 1st ed. |
| Subjects: | |
| Online Access: | An electronic book accessible through the World Wide Web; click to view |
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| 008 | 120702s2013 txua sb 001 0 eng d | ||
| 010 | |z 2012024686 | ||
| 020 | |z 9780292744158 (cloth : alk. paper) | ||
| 020 | |z 9780292744165 (e-book) | ||
| 035 | |a (CaPaEBR)ebr10656988 | ||
| 035 | |a (OCoLC)827944895 | ||
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| 050 | 1 | 4 | |a PN1993.5.L3 |b T75 2013eb |
| 082 | 0 | 4 | |a 791.43098 |2 23 |
| 100 | 1 | |a Tompkins, Cynthia, |d 1958- | |
| 245 | 1 | 0 | |a Experimental Latin American cinema |h [electronic resource] : |b history and aesthetics / |c by Cynthia Tompkins. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c 2013. | ||
| 300 | |a x, 294 p. : |b ill. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures. | |
| 533 | |a Electronic reproduction. |b Palo Alto, Calif. : |c ebrary, |d 2013. |n Available via World Wide Web. |n Access may be limited to ebrary affiliated libraries. | ||
| 650 | 0 | |a Experimental films |z Latin America |x History and criticism. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a ebrary, Inc. | |
| 856 | 4 | 0 | |u http://site.ebrary.com/lib/daystar/Doc?id=10656988 |z An electronic book accessible through the World Wide Web; click to view |
| 908 | |a 170314 | ||
| 942 | 0 | 0 | |c EB |
| 999 | |c 152580 |d 152580 | ||