The "Baby Dolls" breaking the race and gender barriers of the New Orleans Mardi Gras tradition /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Baton Rouge :
Louisiana State University Press,
c2013.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Geahča maid: The "Baby Dolls"
- Blues for New Orleans Mardi Gras and America's Creole soul /
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- Trinidad carnival the cultural politics of a transnational festival /
- All on a Mardi Gras day episodes in the history of New Orleans Carnival /
- The jumbies' playing ground old world influences on Afro-Creole masquerades in the Eastern Caribbean /
- Theater in a crowded fire ritual and spirituality at Burning Man /