Italy on screen national identity and Italian imaginary /
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| Corporate Authors: | , , |
|---|---|
| Other Authors: | , |
| Format: | Electronic Conference Proceeding eBook |
| Language: | English |
| Published: |
New York :
Peter Lang,
2010.
|
| Series: | New studies in European cinema,
v. 9 |
| Subjects: | |
| Online Access: | An electronic book accessible through the World Wide Web; click to view |
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Table of Contents:
- Introduction / Lucy Bolton
- Italian Imaginaries. Italy and lamerica: the road of remembrance / Cristiana Furlan
- The Italian comedy of the economic miracle: L'italiano medio and strategies of gender exclusion / Sergio Rigoletto
- Family life, Moretti style / Eleanor Andrews
- The Catholic Church. The Catholic Church in Il Bidone: salvation or wwindle? / Tim Cawkell
- Pasolini's deconstruction and reformulation of Italian Catholic identity in La ricotta / Erminia Passannanti
- Forbidden pleasures: voyeurism, showgirls and Catholicism in postwar cinema in Italy / Daniela Treveri Gennari
- Italy and Britain. Italian (re)settings in British Cinema: Mike Barker's A good woman / Raffaella Antinucci
- The Duke's Versace sunglasses : Catholic piety and Italian otherness in Alex Cox's Revengers tragedy / Maria Serena Marchesi
- Contemporary perspectives. Seeking a "chance for a reawakening" : the 1970s in new Italian cinema / Emanuele D'onofrio
- Cities and landscapes: physical spaces and Topoi of identity in films by Giuseppe Tornatore and Carlo Mazzacurati / Maria Bonaria Urban
- Body vs technology? myths and identity in Gabriele Salvatores's Nirvana / Paolo Russo
- Epilogue / Pauline Small.