A companion to early cinema
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| Format: | Electronic eBook |
| Language: | English |
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Malden, Mass. :
Wiley-Blackwell,
2012.
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| Online Access: | An electronic book accessible through the World Wide Web; click to view |
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Table of Contents:
- Introduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo
- Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault
- Toward A History Of Peep Practice / Erkki Huhtamo
- "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning
- The Féerie between Stage and Screen / Frank Kessler
- The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano
- The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams
- Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera
- The Discourses of Art in Early Film, or, Why not Rancière? / Rob King
- Sensationalism and Early Cinema / Annemone Ligensa
- From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier
- Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo
- Early Cinema and Film Theory / Roger Odin
- Early Cinema Forms. A Bunch of Violets / Ben Brewster
- Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson
- "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson
- Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien
- Early Cinema Presentations. The European Fairground Cinema: (Re-)defining and (Re-)contextualizing the "Cinema of
- Attractions" / Joseph Garncarz
- Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel
- "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz
- Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore
- Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley
- Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths
- Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines
- The Invention of Cinematic Celebrity in Britain /
- Andrew shail
- the film lecturer / Germain Lacasse
- Richard Hoffman: A Collector's Archive / Richard Koszarski
- Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai
- Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati
- Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff
- Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser.