William Wordsworth and the ecology of authorship the roots of environmentalism in nineteenth-century culture /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Charlottesville :
University of Virginia Press,
2012.
|
| Rangatū: | Under the sign of nature.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Picturesque vision, photographic subjectivity, and the (un)framing of nature
- Wordsworth country: the Lake District and the landscape of genius
- Wordsworth's environmental protest: the Kendal and Windermere Railroad and the cultural politics of nature
- The Lake District and the museum of nature
- "My endless way": travel, gender, and the imaginative colonization of nature
- Epilogue: the ecology of authorship versus the ecology of community.