Authorizing Shakespeare on film and television gender, class, and ethnicity in adaptation /
保存先:
| 第一著者: | |
|---|---|
| 団体著者: | |
| フォーマット: | 電子媒体 eBook |
| 言語: | 英語 |
| 出版事項: |
New York :
Peter Lang,
2011.
|
| シリーズ: | Studies in Shakespeare ;
v. 19. |
| 主題: | |
| オンライン･アクセス: | An electronic book accessible through the World Wide Web; click to view |
| タグ: |
タグ追加
タグなし, このレコードへの初めてのタグを付けませんか!
|
目次:
- Introduction : gestures that authorize
- Adaptations of the father: paternal authority goes imperial in Kenneth Branagh's Hamlet and As you like it
- The liberal-humanist Shakespeare in Michael Radford's The merchant of Venice: Ethnic tolerance and the Portia problem
- Deep-fried American dream: class striving under the heat lamp in Scotland, Pa.
- Teen Shakespeare and the trouble with gender: 10 things I hate about you and She's the man
- The Bard and the beeb : televisual authority and Shakespeare retold
- Tracing Hamlet in slings and arrows: Fathers haunt the theater
- It's not tv, it's Shakespeare: literary-historical adaptation in HBO's Rome.