Loyola's greater narrative the architecture of the spiritual exercises in golden age and Enlightenment literature /
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Peter Lang,
2008.
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| Series: | American university studies. Romance languages and literature ;
v. 229. |
| Subjects: | |
| Online Access: | An electronic book accessible through the World Wide Web; click to view |
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Table of Contents:
- Baroque orders of corruption
- The spiritual exercises, or the formation of mental territories and orders of corruption
- Totalitarian structures and orders of corruption
- The formation of an image reservoir
- Imitatio Christi and baroque inversions
- Ego vobis romae propitius ero : diffusion of the spiritual exercises in Rome (1550-1650)
- The first mission of new apostle
- an image reservoir in the multiple-layer urban fabric
- Corresponding dynamics
- Roman churches after the spiritual exercises
- The mother church of Il Gesù and Sant Andrea al Quirinale
- The Roma ignaziana
- Transformation of the visual dynamics of the spiritual exercises in the late works of Miguel de Cervantes
- Cervantes, corruption, the urban and the company
- Don Quixote, an excessive projection in a greater narrative
- Last pilgrimage : Cervantes representation of Rome in Persiles
- Transforming the orders of corruption in El criticón : the case of Baltasar Gracián, a Jesuit preparing the way for the Enlightenment
- Pre-Enlightenment coming out of the exercises
- The exercise of decoding monstrosity
- Contemplating eternal arts beyond the Roma ignaziana
- The enigmatic parallel writing of El comulgatorio
- From Loyolan imagination to Sadean Enlightenment : the parodying inversions of the spiritual exercises in the novels of the Marquis de Sade
- Philosophical criticism of Loyolan system in Enlightenment
- Sadean inversions
- Collecting the tableaux in the cent vingt journées
- Melting down the concept of spiritual directors
- Forcing the exercitant in desiring the opposite
- Revisiting the Roma ignaziana in Juliette.