Burying the beloved marriage, realism, and reform in modern Iran /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Stanford, California :
Stanford University Press,
c2012.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : burying the past : Iranian modernity's marriage to realism
- Dismembering and re-membering the beloved : how the Civil Code remade marriage and marriage remade love
- Wedding or funeral? : the Family Protection Act and the bride's consent
- Ain't I a woman? : domesticity's other
- Exhuming the beloved, revising the past : lawlessness and postmodernism
- A metaphor for civil society? : marriage and "rights talk" in the Khtamī period
- Conclusion : a severed head? : Iranian literary modernity in transnational context.