Reality principles from the absurd to the virtual /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Ann Arbor :
University of Michigan Press,
2011.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Relevance : the shadow of a magnitude
- The faith-based initiative of the theater of the absurd
- The soul-complex of Strindberg : suffocation, scopophilia, and the seer
- From the dreamwork of secession to orgies mysteries theater
- Performing the chaosmos : farts, follicles, mathematics, and delirium in deleuze
- Seeming, seeming: the illusion of enough
- Who's there? community of the question
- The emotional memory of directing
- The commodius vicus of Beckett : vicissitudes of the arts in the science of affliction
- Among the deepening shades : the Beckettian moment(um) and the Brechtian arrest
- Apnea and true illusion : breath(less) in Beckett
- Art and crisis: homeland security and the noble savage
- Ground zero : the original vision (may 16, 2008)
- Blessings to the pope and the witch
- The pathos of dialogue : unable to speak a word
- Thinking history, history thinking
- Why "what history?"
- The human nature of the bot
- Virtually yours: presence, liveness, lessness
- Auto archive.