Reality principles from the absurd to the virtual /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Ann Arbor :
University of Michigan Press,
2011.
|
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Relevance : the shadow of a magnitude
- The faith-based initiative of the theater of the absurd
- The soul-complex of Strindberg : suffocation, scopophilia, and the seer
- From the dreamwork of secession to orgies mysteries theater
- Performing the chaosmos : farts, follicles, mathematics, and delirium in deleuze
- Seeming, seeming: the illusion of enough
- Who's there? community of the question
- The emotional memory of directing
- The commodius vicus of Beckett : vicissitudes of the arts in the science of affliction
- Among the deepening shades : the Beckettian moment(um) and the Brechtian arrest
- Apnea and true illusion : breath(less) in Beckett
- Art and crisis: homeland security and the noble savage
- Ground zero : the original vision (may 16, 2008)
- Blessings to the pope and the witch
- The pathos of dialogue : unable to speak a word
- Thinking history, history thinking
- Why "what history?"
- The human nature of the bot
- Virtually yours: presence, liveness, lessness
- Auto archive.