Cinepaternity fathers and sons in Soviet and post-Soviet film /
Wedi'i Gadw mewn:
| Awdur Corfforaethol: | |
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| Awduron Eraill: | , |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Bloomington :
Indiana University Press,
c2010.
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| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Introduction : cinepaternity : the psyche and its heritage
- Thaw, stagnation, Perestroika: The myth of the "great family" in Marlen Khutsiev's Lenin's guard and Mark Osep'ian's Three days of Viktor Chernyshev / Alexander Prokhorov ; Mending the rupture: the war trope and the return of the imperial father in 1970s cinema / Elena Prokhorova ; Models of male kinship in Perestroika cinema / Seth Graham
- War in the post-Soviet dialogue with paternity: The fathers' war through the sons' lens / Tatiana Smorodinskaya ; War as the family value : failing fathers and monstrous sons in My stepbrother Frankenstein / Mark Lipovetsky ; A surplus of surrogates : Mashkov's Fathers / Helena Goscilo
- Reconceiving filial bonds: Resurrected fathers and resuscitated sons: homosocial fantasies in The return and Koktebel / Yana Hashamova ; The forces of kinship: Timur Bekmambetov's Night watch cinematic trilogy / Vlad Strukov ; Fathers, sons, and brothers: redeeming patriarchal authority in The brigade / Brian James Baer
- Auteurs and the psychological/philosophical: Fraught filiation : Andrei Tarkovsky's Transformations of personal trauma / Helena Goscilo ; Vision and blindness in Sokurov's Father and son / José Alaniz.