Delwedd Flaen

Tonality as drama closure and interruption in four twentieth-century American operas /

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Latham, Edward David
Awdur Corfforaethol: ebrary, Inc
Fformat: Electronig eLyfr
Iaith:Saesneg
Cyhoeddwyd: Denton, Tex. : University of North Texas Press, c2008.
Pynciau:
Joplin, Scott, > 1868-1917. > Treemonisha.
Weill, Kurt, > 1900-1950. > Street scene.
Gershwin, George, > 1898-1937. > Porgy and Bess.
Copland, Aaron, > 1900-1990. > Tender land.
Operas > Analysis, appreciation.
Opera > United States > 20th century.
Electronic books.
Mynediad Ar-lein:An electronic book accessible through the World Wide Web; click to view
Tagiau: Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
Tabl Cynhwysion:
  • Tonality as drama: an introduction
  • Dramatic closure: the Stanislavsky system and the attainment of character objectives
  • Tonal closure: a Schenkerian approach to tonal drama
  • The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
  • The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
  • The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
  • The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

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