Chicago's new Negroes modernity, the great migration, & Black urban life /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Chapel Hill :
University of North Carolina Press,
c2007.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction. "Chicago has no intelligentsia?": consumer culture and intellectual life reconsidered
- Mapping the Black metropolis: a cultural geography of the stroll
- Making do: beauty, enterprise, and the "makeover" of race womanhood
- Theaters of war: spectacles, amusements, and the emergence of urban film culture
- The birth of two nations: White fears, Black jeers, and the rise of a "race film" consciousness
- Sacred tastes: the migrant aesthetics and authority of gospel music
- The sporting life: recreation, self-reliance, and competing visions of race manhood
- Epilogue. The crisis of the Black bourgeoisie, or, What If Harold Cruse had lived in Chicago?