Realism for the masses aesthetics, popular front pluralism, and U.S. culture, 1935-1947 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Jackson :
University Press of Mississippi,
c2009.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: The people's form finds its audience : popular front realism and the culture industries
- Taking down the Great White Hope : the popular front boxing narrative
- Radio soaps, Broadway lights : Lillian Hellman, Shirley Graham, and the interpellation of female audiences
- Realism with a little sex in it : Erskine Caldwell's challenge to Gone with the wind
- Asian yeoman and ugly Americans : Carlos Bulosan, H.T. Tsiang, and the U.S. literary market
- The popular front in the American century : Life magazine, Margaret Bourke-White, and partisan objectivity.