Realism for the masses aesthetics, popular front pluralism, and U.S. culture, 1935-1947 /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Jackson :
University Press of Mississippi,
c2009.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: The people's form finds its audience : popular front realism and the culture industries
- Taking down the Great White Hope : the popular front boxing narrative
- Radio soaps, Broadway lights : Lillian Hellman, Shirley Graham, and the interpellation of female audiences
- Realism with a little sex in it : Erskine Caldwell's challenge to Gone with the wind
- Asian yeoman and ugly Americans : Carlos Bulosan, H.T. Tsiang, and the U.S. literary market
- The popular front in the American century : Life magazine, Margaret Bourke-White, and partisan objectivity.