Post-soul satire : black identity after Civil Rights /

"From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expr...

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Bibliographic Details
Other Authors: Maus, Derek C. (Editor), Donahue, James J. (Editor)
Format: Electronic eBook
Language:English
Published: Jackson : University Press of Mississippi, [2014]
Subjects:
Online Access:An electronic book accessible through the World Wide Web; click to view
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245 0 0 |a Post-soul satire :  |b black identity after Civil Rights /  |c edited by Derek C. Maus and James J. Donahue. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (341 pages) 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
504 |a Includes bibliographical references (pages 281-298) and index. 
520 |a "From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community"--  |c Provided by publisher. 
588 |a Description based on print version record. 
590 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
650 0 |a African Americans in mass media. 
650 0 |a African Americans  |x Race identity. 
650 0 |a Satire, American  |x History and criticism. 
650 0 |a African Americans in literature. 
650 0 |a African Americans in motion pictures. 
650 0 |a African Americans in popular culture. 
650 0 |a African Americans  |x Intellectual life. 
655 4 |a Electronic books. 
700 1 |a Maus, Derek C.,  |e editor. 
700 1 |a Donahue, James J.,  |e editor. 
776 0 8 |i Print version:  |t Post-soul satire : black identity after Civil Rights.  |d Jackson : University Press of Mississippi, [2014]  |h xxiii, 316 pages ; 25 cm  |z 9781617039973 
797 2 |a ProQuest (Firm) 
856 4 0 |u http://site.ebrary.com/lib/daystar/Doc?id=11155647  |z An electronic book accessible through the World Wide Web; click to view 
908 |a 170314 
942 0 0 |c EB 
999 |c 186480  |d 186480