The subject of Holocaust fiction /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Bloomington ; Indianapolis :
Indiana University Press,
[2015]
|
| Ráidu: | Jewish literature and culture.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
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|
Sisdoallologahallan:
- Voyeurism, complicated mourning, and the fetish: Cynthia Ozick's The Shawl
- Forced confessions: subject position, framing, and the "Art" of Spiegelman's Maus
- Aryeh Lev Stollman's The Far Euphrates: re-picturing the pre-memory moment
- Bruno Schulz, The Messiah, and ghost/writing the past
- A Jewish history of blocked mourning and love
- See under: mourning
- Blacks, Jews, and southerners in William Styron's Sophie's Choice
- (re)reading the Holocaust from a German point of view: Bernhard Schlink's The Reader
- Mourning and melancholia in W. G. Sebald's Austerlitz
- Holocaust, apartheid, and the slaughter of animals: J. M. Coetzee's Elizabeth Costello and Cora Diamond's "difficulty of reality".