The subject of Holocaust fiction /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington ; Indianapolis :
Indiana University Press,
[2015]
|
| Rangatū: | Jewish literature and culture.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Voyeurism, complicated mourning, and the fetish: Cynthia Ozick's The Shawl
- Forced confessions: subject position, framing, and the "Art" of Spiegelman's Maus
- Aryeh Lev Stollman's The Far Euphrates: re-picturing the pre-memory moment
- Bruno Schulz, The Messiah, and ghost/writing the past
- A Jewish history of blocked mourning and love
- See under: mourning
- Blacks, Jews, and southerners in William Styron's Sophie's Choice
- (re)reading the Holocaust from a German point of view: Bernhard Schlink's The Reader
- Mourning and melancholia in W. G. Sebald's Austerlitz
- Holocaust, apartheid, and the slaughter of animals: J. M. Coetzee's Elizabeth Costello and Cora Diamond's "difficulty of reality".