The Zionist paradox : Hebrew literature and Israeli identity /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi Hīperu |
| I whakaputaina: |
Waltham, Massachusetts :
Brandeis University Press,
[2014]
|
| Rangatū: | Schusterman series in Israel studies.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- 1. Avraham Mapu, "The love of Zion" (1853): the beautiful daughter of Zion, the (Faux) shepherd boy and the cutting up of the monster
- 2. Theodor Herzl, "Altneuland" (1902): shall these dry bones live
- 3. Yosef Luidor, "Yoash" (1912): the taste of freedom and space
- 4. Moshe Shamir, "He walked in the fields" (1948): it turned out it was all fake
- 5. Amos Oz, "Nomads and viper" (1963): a short, patched European jacket over a white desert robe.