Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court /

"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new g...

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Bibliográfalaš dieđut
Váldodahkki: Hille, Christiane (Dahkki)
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Berlin : Akademie Verlag, [2012]
Fáttát:
Liŋkkat:An electronic book accessible through the World Wide Web; click to view
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020 |z 3050059087 
020 |z 9783050059082 
020 |a 9783050062556 (e-book) 
035 |a (CaPaEBR)ebr10848970 
035 |a (OCoLC)872654764 
040 |a CaPaEBR  |b eng  |e rda  |e pn  |c CaPaEBR 
043 |a e-uk--- 
050 1 4 |a N8219.K5  |b H55 2012eb 
100 1 |a Hille, Christiane,  |e author. 
245 1 0 |a Visions of the courtly body :  |b the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court /  |c Christiane Hille. 
264 1 |a Berlin :  |b Akademie Verlag,  |c [2012] 
264 4 |c ©2012 
300 |a 1 online resource (312 pages) :  |b illustrations (some color) 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
500 |a "This book was submitted as a PhD thesis to Humboldt-Universität Berlin in 2008." (page IX). 
504 |a Includes bibliographical references. 
520 |a "As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4). 
588 |a Description based on print version record. 
590 |a Electronic reproduction. Palo Alto, Calif. : ebrary, 2014. Available via World Wide Web. Access may be limited to ebrary affiliated libraries. 
600 1 0 |a Buckingham, George Villiers,  |c Duke of,  |d 1592-1628  |x Art collections. 
600 3 0 |a Stuart, House of. 
650 0 |a Masques, English  |x History and criticism. 
651 0 |a Great Britain  |x History  |y James I, 1603-1625. 
651 0 |a Great Britain  |x History  |y Charles I, 1625-1649. 
651 0 |a Great Britain  |x Court and courtiers  |x History  |y 17th century. 
651 0 |a Great Britain  |x Kings and rulers  |v Portraits. 
655 0 |a Electronic books. 
776 0 8 |i Print version:  |a Hille, Christiane.  |t Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court.  |d Berlin : Akademie Verlag, [2012]  |h ix, 302 pages ; 24 cm.  |z 9783050059082  |w (OCoLC)ocn817948580  |w (DLC)17564825 
797 2 |a ebrary. 
856 4 0 |u http://site.ebrary.com/lib/daystar/Doc?id=10848970  |z An electronic book accessible through the World Wide Web; click to view 
908 |a 170314 
942 0 0 |c EB 
999 |c 170665  |d 170665