Cinema and community : progressivism, exhibition, and film culture in Chicago, 1907-1917 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Detroit :
Wayne State University Press,
[2014]
|
| Rangatū: | Contemporary approaches to film and media series
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Progressivism, modernity, and transitional cinema
- From crowds to communities: Progressive Era spectatorship theories
- Progressivism and early feature films: textuality, oversight, uplift
- Celebrity, self-awareness, and the consciousness of self
- Private pleasures and public space: community culture and the dominance of neighborhood theaters
- Oversight and regulation: film censorship, local government, and social reform
- Citizenship and black cinema
- Patriotism and patronage: regional and national identity in Chicago's theaters during World War I
- Conclusion.