Gender, genre, and the myth of human singularity /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
[2013]
|
| Rangatū: | Studies on themes and motifs in literature ;
v. 113. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Defying laws of genre and gender
- The complete man: the heroic myth's reinvention in Ulysses: Samuel Beckett and generic refashioning
- A shimmering doubleness: community and estrangement in the dramatized novel between the acts: Jeanette Winterson and Woolf's hybridic legacy
- Turning 'Night into day': Stein's theatrical burlesque of enlightenment reason in Doctor Faustus Lights the lights
- Robert Wilson, Wooster Group, and Faustus's perpetual refashioning
- Conclusion: Breaking laws and the myth of human singularity.