The transatlantic gaze : Italian cinema, American film /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Albany :
State University of New York Press,
[2014]
|
| Ráidu: | SUNY series in Italian/American culture
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction
- Screen idols & female admirers in The white sheik (Fellini 1952), The purple rose of Cairo (Allen, 1985) and Nurse Betty (Labute, 2000)
- The art film reconsidered: Blow-up (Antonioni, 1966) and Blow out (Depalma, 1981)
- The evolving western: from America to Italy and back in One upon a time in the West (Leone, 1968) and Kill Bill: volumes 1 & 2 (Tarantino, 2003 & 2004)
- Neorealism revisited by African American directors in the new millennium: Precious (Daniels, 2009) and Miracle at St. Anna (Lee, 2008)
- Whither the remake?
- Conclusion.