Tamil folk music as Dalit liberation theology /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington ; Indianapolis :
Indiana University Press,
[2014]
|
| Rangatū: | Ethnomusicology multimedia
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : context and concepts : singing the Lord's prayer as freedom in a Tamil land
- How can the subaltern speak? Musical style, value, and the historical process of
- (Re)indigenization of Tamil Christian music
- Sharing the meal : a Dalit family's dialogue with the history of Tamil Christian music, 1850-1994
- Paraṭṭai's theology : greeting God in the cēri
- Ethnography as transformative musical dialogue
- Reception and transformation from seminary to village
- Performing global Dalit consciousness.