Postmodernism, traditional cultural forms, and African American narratives /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Albany :
State University of New York Press,
[2013]
|
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Postmodernism, traditional cultural forms, and African American subjectivity
- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire
- The trickster, African American virtual subject and Percival Everett's erasure
- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz
- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other
- Virtual-actual reality and Clarence Major's reflex and bone structure
- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues
- Conclusion.