Postmodernism, traditional cultural forms, and African American narratives /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Albany :
State University of New York Press,
[2013]
|
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Tabl Cynhwysion:
- Postmodernism, traditional cultural forms, and African American subjectivity
- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire
- The trickster, African American virtual subject and Percival Everett's erasure
- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz
- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other
- Virtual-actual reality and Clarence Major's reflex and bone structure
- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues
- Conclusion.