Inventing falsehood, making truth : Vico and Neapolitan painting /

"Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vic...

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Bibliographic Details
Main Author: Bull, Malcolm
Format: Electronic eBook
Language:English
Published: Princeton, New Jersey : Princeton University Press, [2013]
Series:Essays in the arts
Subjects:
Online Access:An electronic book accessible through the World Wide Web; click to view
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245 1 0 |a Inventing falsehood, making truth :  |b Vico and Neapolitan painting /  |c Malcolm Bull. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c [2013] 
264 4 |c ©2013 
300 |a 1 online resource (161 pages) :  |b illustrations. 
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440 0 |a Essays in the arts 
504 |a Includes bibliographical references and index. 
520 |a "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--  |c Provided by publisher. 
588 |a Description based on print version record. 
590 |a Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries. 
600 1 0 |a Vico, Giambattista,  |d 1668-1744. 
650 0 |a Painting  |x Philosophy. 
650 0 |a Art and philosophy  |z Italy  |x History  |y 18th century. 
650 0 |a Painting, Italian  |z Italy  |z Naples  |y 18th century. 
650 0 |a Painting, Baroque  |z Italy  |z Naples. 
650 0 |a Truth. 
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776 0 8 |i Print version:  |a Bull, Malcolm.  |t Inventing falsehood, making truth : Vico and Neapolitan painting.  |d Princeton, New Jersey : Princeton University Press, [2013]  |h xiii, 144 pages  |k Essays in the arts  |z 9780691138848  |w (DLC) 2013015837 
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