Ouida and Victorian popular culture
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | , |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Burlington, Vt. :
Ashgate,
2013.
|
| Rangatū: | Nineteenth century (Aldershot, England)
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Ouida (1839-1908): quantities, aesthetics, politics / Andrew King
- Ouida and the canon: recovery, reconsideration, revisioning the popular / Pamela Gilbert
- Between men: romantic friendship in Ouida's early novels / Jane Jordan
- A hack as harmful as he is brainless and, one, moreover, who stabs where he steals. Ouida, the Victorian adaptor and moths / Hayley Bradley
- Ouida, Vernon Lee and the aesthetic novel / Sondeep Kandola
- Defending female genius: the unlikely cultural alignment of Marie Corelli and Ouida / Nickianne Moody
- Ouida and the Russians: aristocratic Francophilia to Tolstoyism / Diana Maltz
- Opinionated Ouida / Lyn Pykett
- Politicizing the aesthetic: Ouida's transnational critique of modernity / Richard Ambrosini.