The politics of irony in American modernism
"This book shows how American literary culture in the first half of the twentieth century saw "irony'" emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how th...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Fordham University Press,
2014.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Machine generated contents note:
- Introduction: Irony and How It Got That Way
- Chapter 1: The Eye in Irony: New York, Nietzsche, and the 1910s
- Chapter 2: Gendering Irony and Its History: Ellen Glasgow and the Lost 1920s
- Chapter 3: The Focus of Satire: Irony and Public Opinions of Propaganda in the U.S.A. of John Dos Passos Page
- Chapter 4: Visible Decisions : Irony, Law, and the Political Constitution of Ralph Ellison
- Beyond Hope and Memory: A Conclusion
- Bibliography.